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Jean-Michel Basquiat

With no formal training, Jean-Michel Basquiat appropriated signs and symbols from a wide variety of cultural sources, from the art of African Bushmen to quotations from Leonardo da Vinci or Gray’s Anatomy. He then positioned these in an urban context by using the bright colours and scribbling generally associated with the spray can vandalism commonplace in New York City at the time, particularly on the subway system.

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